The Charlatan
Artist/Maker
Adriaen van Ostade
(Dutch, 1610–1685)
Date1648
MediumEtching
DimensionsImage: 5 3/4 × 4 11/16 in. (14.6 × 11.9 cm)
Sheet: 6 × 5 in. (15.2 × 12.7 cm)
Sheet: 6 × 5 in. (15.2 × 12.7 cm)
Credit LineGift of Linda and Ken Preston
Object number2006.29.5
Status
Not on viewWho is the charlatan? In this print, the artist portrays a table of games and tricks that were part of everyday life in the 17th-century Netherlands.
Miguel de Cervantes Saavedra (1547–1616) popularized the idea of a “table of tricks” in his Novelas Ejemplares (Exemplary Novels, 1613). The Spanish writer, who, like van Ostade, was interested in everyday life, invited the reader to take a seat at the table in the square. As the locals gather at the table for entertainment, the spectators must also identify the real charlatan.
In this print, two men seem to fit the bill. Is it the one on the right with his noble appearance and vials on the table? Perhaps he is a physician offering curative products. Or is it the man on the other side who exudes confidence in selling goods and entertainment with his posture? The vials on the table could be part of his game or strategy. In both cases, the table serves as the means of exchange between the charlatan and his audience. Chance and fortune always accompany him.
Remember that both could be masters of disguise—one uses his appearance, the other his personality. Therefore, whichever of the two stories you believe, make sure the charlatan does not deceive you.
Exhibition History
Miguel de Cervantes Saavedra (1547–1616) popularized the idea of a “table of tricks” in his Novelas Ejemplares (Exemplary Novels, 1613). The Spanish writer, who, like van Ostade, was interested in everyday life, invited the reader to take a seat at the table in the square. As the locals gather at the table for entertainment, the spectators must also identify the real charlatan.
In this print, two men seem to fit the bill. Is it the one on the right with his noble appearance and vials on the table? Perhaps he is a physician offering curative products. Or is it the man on the other side who exudes confidence in selling goods and entertainment with his posture? The vials on the table could be part of his game or strategy. In both cases, the table serves as the means of exchange between the charlatan and his audience. Chance and fortune always accompany him.
Remember that both could be masters of disguise—one uses his appearance, the other his personality. Therefore, whichever of the two stories you believe, make sure the charlatan does not deceive you.
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- Allen Memorial Art Museum, Oberlin, OH (August 19, 2023 - December 12, 2023 )
Collections
- European
The AMAM continually researches its collection and updates its records with new findings.
We welcome additional information and suggestions for improvement. Please email us at AMAMcurator@oberlin.edu.
We welcome additional information and suggestions for improvement. Please email us at AMAMcurator@oberlin.edu.
mid-17th century
1676–99
after 1631