Christ Healing the Sick (The Hundred Guilder Print)
Artist/Maker
Rembrandt van Rijn
(Dutch, 1606–1669)
Dateca. 1648
MediumEtching, engraving, and drypoint on Japanese paper
DimensionsSheet: 11 × 15 1/4 in. (28 × 38.8 cm)
Credit LineMrs. F. F. Prentiss Bequest
Object number1944.64
Status
Not on view“Great multitudes followed Him, and He healed them there,” Matthew 19:2
Rembrandt depicts Christ purifying souls and healing the sick by incorporating different scenes from chapter 19 of the Gospel of St. Matthew. The chiaroscuro effects divide the print into two sides of light and dark, adding depth and enhancing the position of Christ as a beacon of light. Rembrandt’s usage of shading draws visual attention to Christ’s powers as a physical and spiritual healer and challenges common conceptions of good and evil as they relate to light and darkness. The varying appearances and unembellished outlines show that each person has their own reason to see Christ. Here in the darkness is where true faith lies.
Belief and disbelief are present in the crowd, but Christ stands above them all. He is the center that draws together all—the sick on his right seeking to be cured and a skeptical group of Pharisees to his left. Invested with divine powers, Christ defies the boundaries of what is possible and socially accepted.
Exhibition History
Rembrandt depicts Christ purifying souls and healing the sick by incorporating different scenes from chapter 19 of the Gospel of St. Matthew. The chiaroscuro effects divide the print into two sides of light and dark, adding depth and enhancing the position of Christ as a beacon of light. Rembrandt’s usage of shading draws visual attention to Christ’s powers as a physical and spiritual healer and challenges common conceptions of good and evil as they relate to light and darkness. The varying appearances and unembellished outlines show that each person has their own reason to see Christ. Here in the darkness is where true faith lies.
Belief and disbelief are present in the crowd, but Christ stands above them all. He is the center that draws together all—the sick on his right seeking to be cured and a skeptical group of Pharisees to his left. Invested with divine powers, Christ defies the boundaries of what is possible and socially accepted.
The Story of Christ in Art: Paintings, Graphic Works, Textiles and Sculpture from the Allen Memorial Art Museum
- Allen Memorial Art Museum, Oberlin, OH ( 1957-08 - 1957-09 )
Rembrandt Prints
- University of Michigan Museum of Art, Ann Arbor, MI (October 23, 1960 - November 20, 1960 )
Fine Arts Festival
- Ashland College Library Gallery, Ashland, OH (May 1, 1964 - May 15, 1964 )
Rembrandt After Three Hundred Years
- Detroit Institute of Arts, Detroit, MI (February 25, 1970 - April 5, 1970 )
Seventeenth Century Dutch Prints
- Allen Memorial Art Museum, Oberlin, OH (March 13, 1987 - April 26, 1987 )
Northern Renaissance Prints and Drawings
- Allen Memorial Art Museum, Oberlin, OH (November 6, 1990 - January 27, 1991 )
Quality and Technique in Prints
- Allen Memorial Art Museum, Oberlin, OH (October 4, 1996 - December 22, 1996 )
Between Fact and Fantasy: The Artistic Imagination in Print
- Allen Memorial Art Museum, Oberlin, OH (January 17, 2014 - June 22, 2014 )
Lines of Inquiry: Learning from Rembrandt's Etchings
- Herbert F. Johnson Museum of Art, Cornell University (September 23, 2017 - December 17, 2017 )
- Allen Memorial Art Museum, Oberlin, OH (February 6, 2018 - May 13, 2018 )
What's in a Spell? Love Magic, Healing, and Punishment in the Early Modern Hispanic World
- Allen Memorial Art Museum, Oberlin, OH (August 19, 2023 - December 12, 2023 )
Collections
- European
This record was created from historic documentation and may not have been reviewed by a curator. Noticed a mistake? Have some extra information about this object?
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mid-17th century
1676–99
after 1631
17th century