Merry Company
Artist/Maker
Jan Steen
(Dutch, 1626–1679)
Date1667–69
MediumOil on panel
DimensionsOverall: 17 5/8 × 14 5/8 in. (44.8 × 37.2 cm)
Frame: 23 3/4 × 20 13/16 × 2 in. (60.3 × 52.9 × 5.1 cm)
Frame: 23 3/4 × 20 13/16 × 2 in. (60.3 × 52.9 × 5.1 cm)
Credit LineR. T. Miller Jr., Mrs. F. F. Prentiss, and Charles F. Olney Funds
Object number1957.14
Status
On viewThis lively work depicts people in what is presumably a tavern. Although the exact nature of the scene is slightly vague, one scholar has identified the merrymakers as an amateur literary society. These groups, first established in the Netherlands in the 16th century, presented dramatic readings, performances, and literary competitions.
The bearded older man leans intimately over the woman’s shoulder to read from her song sheet. Dressed in a costume fashionable in the previous century, he has a sprig of flowers tucked into his hatband, perhaps to spruce up his dress and render himself more youthful. The woman’s foot, however, suggests the real object of her interest, the young violinist. A fourth figure, laughing and hoisting his glass, is identified by his flat red cap as the "fool," who traditionally functioned as observer or commentator on actions within a scene. The man silhouetted in the doorway at the rear is a portrait of the artist. Steen frequently inserted his own likeness into his paintings, thereby personally inviting the viewer’s complicity in the scene.
ProvenanceDukes of Sachsen-Gotha-Altenburg, later Dukes of Sachsen-Coburg and Gotha, possibly acquired by Duke Ernst II von Sachsen (1745-1804); Herzogliches Gemäldegalerie, Gotha, Germany, inv. 252, from 1890 until 1946.¹ Possible private sale, Berlin, by October 18 [?], 1954; Helmhold Hoffman, Munich, from 18[?] until 23 October 1954;² (G. Cramer Oude Kunst, The Hague); purchased March 1957 by Allen Memorial Art Museum, Oberlin, OH
Notes:
¹ Included in the museum's catalogue "Herzogliches Museum zu Gotha. Katalog der Hezoglichen Gemaldegalerie" published in 1890.
²The provenance of the painting during the autumn of 1954 is speculative based on information found in the archive of Hans Cramer's papers held at the Getty Research Institute, which former AMAM curator Andaleeb Banta consulted in January 2015.Exhibition History
The bearded older man leans intimately over the woman’s shoulder to read from her song sheet. Dressed in a costume fashionable in the previous century, he has a sprig of flowers tucked into his hatband, perhaps to spruce up his dress and render himself more youthful. The woman’s foot, however, suggests the real object of her interest, the young violinist. A fourth figure, laughing and hoisting his glass, is identified by his flat red cap as the "fool," who traditionally functioned as observer or commentator on actions within a scene. The man silhouetted in the doorway at the rear is a portrait of the artist. Steen frequently inserted his own likeness into his paintings, thereby personally inviting the viewer’s complicity in the scene.
An American University Collection: Works of Art from the Allen Memorial Art Museum, Oberlin, Ohio
- Kenwood House, London (May 3, 1962 - October 30, 1962 )
Twelve Works from Twelve Great Private Colleges and Universities
- Marquette University, Milwaukee, WI (February 20, 1964 - February 27, 1964 )
Musica Humana: A Dialogue between Music and the Visual Arts
- Allen Memorial Art Museum, Oberlin, OH (March 26, 1996 - June 30, 1996 )
Symbol and Meaning in Seventeenth-Century Dutch Art
- Allen Memorial Art Museum, Oberlin, OH (September 13, 1988 - November 27, 1988 )
Seven Hundred Years of Western Art
- Allen Memorial Art Museum, Oberlin, OH (August 26, 2001 - June 2, 2002 )
From Baroque to Neoclassicism: European Paintings, 1625-1825
- Allen Memorial Art Museum, Oberlin, OH (September 10, 2002 - June 9, 2003 )
Collections
- European
- On View
The AMAM continually researches its collection and updates its records with new findings.
We welcome additional information and suggestions for improvement. Please email us at AMAMcurator@oberlin.edu.
We welcome additional information and suggestions for improvement. Please email us at AMAMcurator@oberlin.edu.
mid-17th century
1676–99
after 1631