A Pond in the Forest
Artist/Maker
Meindert Hobbema
(Dutch, 1638–1709)
Date1668
MediumOil on oak panel
DimensionsOverall: 23 5/8 × 33 1/4 in. (60 × 84.5 cm)
Frame: 34 1/4 × 43 3/4 × 3 1/2 in. (87 × 111.1 × 8.9 cm)
Frame: 34 1/4 × 43 3/4 × 3 1/2 in. (87 × 111.1 × 8.9 cm)
Credit LineMrs. F. F. Prentiss Bequest
Object number1944.52
Status
On viewThis exceptionally well-preserved painting depicts the heavily wooded landscape of the eastern Netherlands, Meindert Hobbema's primary source of inspiration. It shows a pond in a forest, amid striking passages of sunlight and shadow, with an evocative, cloudy sky as evidence of the country's swiftly changing weather.
In the background is a strongly sunlit meadow, in which several small figures wander; closer to the pond, others congregate. The only trace of human intervention in the landscape is the rush of water that bubbles into the pond from a wooden channel. This is likely part of a sluice that would have formed part of the waterways serving the country's water mills-a subtle hint of the incipient industry that was one of many factors leading Holland to become a world power in the seventeenth century.
This calm, peaceful view was made the same year that Hobbema was appointed as a wine-gauger for Amsterdam, a securely paid and socially prominent position that involved measuring the amount of wine in vintners' casks for taxation. He also married in 1668, and it was after this point that his artistic output markedly decreased.
The painting was purchased from Knoedler's in New York in 1916 by Mrs. Prentiss, the museum's primary benefactor.
Exhibition History
In the background is a strongly sunlit meadow, in which several small figures wander; closer to the pond, others congregate. The only trace of human intervention in the landscape is the rush of water that bubbles into the pond from a wooden channel. This is likely part of a sluice that would have formed part of the waterways serving the country's water mills-a subtle hint of the incipient industry that was one of many factors leading Holland to become a world power in the seventeenth century.
This calm, peaceful view was made the same year that Hobbema was appointed as a wine-gauger for Amsterdam, a securely paid and socially prominent position that involved measuring the amount of wine in vintners' casks for taxation. He also married in 1668, and it was after this point that his artistic output markedly decreased.
The painting was purchased from Knoedler's in New York in 1916 by Mrs. Prentiss, the museum's primary benefactor.
Paintings and Drawings from Five Centuries: Collection Allen Memorial Art Museum
- M. Knoedler & Co., Inc., New York (February 3, 1954 - February 21, 1954 )
Dutch Paintings: The Golden Age
- The Metropolitan Museum of Art, New York (October 28, 1954 - December 15, 1954 )
- The Toledo Museum of Art, Toledo, OH (January 2, 1955 - February 12, 1955 )
- The Art Gallery of Toronto, Toronto, Canada (February 19, 1955 - March 25, 1955 )
Trends in Painting, 1600-1800
- Albright-Knox Art Gallery, Buffalo, NY (October 2, 1957 - November 3, 1957 )
Seven Hundred Years of Western Art
- Allen Memorial Art Museum, Oberlin, OH (August 26, 2001 - June 2, 2002 )
From Baroque to Neoclassicism: European Paintings, 1625-1825
- Allen Memorial Art Museum, Oberlin, OH (September 10, 2002 - June 9, 2003 )
Paintings, Sculptures, and Miniatures at the Cleveland Museum of Art
- Cleveland Museum of Art, Cleveland, OH (December 21, 2009 - April 29, 2011 )
Collections
- European
- On View
This record was created from historic documentation and may not have been reviewed by a curator. Noticed a mistake? Have some extra information about this object?
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mid-17th century
1676–99
after 1631