Ogou Vodou Flag
Artist/Maker
Amina Simeon
(Haitian, 1959–2000)
Datelate 20th century
MediumFabric and beads
DimensionsOverall: 23 × 26 in. (58.4 × 66 cm)
Frame: 27 × 30 × 1 3/4 in. (68.6 × 76.2 × 4.4 cm)
Frame: 27 × 30 × 1 3/4 in. (68.6 × 76.2 × 4.4 cm)
Credit LineMuseum Friends Fund
Object number2022.39
Status
Not on viewHaitian women working in clothing factories in Port-au-Prince since the 1960s have made Beaded Vodou flags, referred to in Haitian Creole as dwapo. They collected extra beads and sequins used in the production of high-end dresses destined for French buyers and began using them to decorate the flags. As distinct from dwapo made for over a century by men for ceremonial purposes, these works were specifically made for the art market.
Here, Amina Simeon depicts a scene derived from a Catholic lithograph of Saint James Matamoros, who in Haiti is commonly syncretized with Ogou, a hot-headed and temperamental spirit (lwa) associated with battle, hard work, and iron. The syncretization of Vodou spirits with Christian saints was a way for Vodou adherents to continue practicing in the face of colonial oppression. The image depicting Ogou, which is ubiquitous in Haiti, depicts a common visual convention around this saint which shows him riding into battle and trampling Muslim Moors at the mythical Battle of Clavijo.
Here, Amina Simeon depicts a scene derived from a Catholic lithograph of Saint James Matamoros, who in Haiti is commonly syncretized with Ogou, a hot-headed and temperamental spirit (lwa) associated with battle, hard work, and iron. The syncretization of Vodou spirits with Christian saints was a way for Vodou adherents to continue practicing in the face of colonial oppression. The image depicting Ogou, which is ubiquitous in Haiti, depicts a common visual convention around this saint which shows him riding into battle and trampling Muslim Moors at the mythical Battle of Clavijo.
Collections
- Modern & Contemporary
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1998
late 20th century
mid to late 20th century
before 1975
ca. 1959