Body Mandala
Artist/MakerUnidentified
Nepalese
or Tibetan Artist
Date20th century
MediumCotton muslin, ink, and pigments
DimensionsOverall: 53 × 33 in. (134.6 × 83.8 cm)
Frame: 61 1/4 × 40 7/8 × 2 1/4 in. (155.6 × 103.8 × 5.7 cm)
Frame: 61 1/4 × 40 7/8 × 2 1/4 in. (155.6 × 103.8 × 5.7 cm)
Credit LineOberlin Friends of Art Fund
Object number2017.34
Status
Not on viewA large human figure stands on a colorful lotus blossom, facing us against a background of mountains, sky, and clouds. Numerous small images of Tibetan Buddhist deities populate the landscape and float in the sky. Images of deities are also seen within the body of the figure. They appear in the face, in the legs and feet, and many are arranged in the petals and interior of symbolic lotus blossoms that line the figure’s central axis.
This vision of the interior of a human body derives from the Himalayan tradition of “body mandalas.” These complex paintings map a spiritual cosmos onto the human body, and are found in Hinduism, the indigenous Tibetan religion, Bön, and, like this one, in Tibetan Buddhism. In forms of advanced Tibetan Buddhist meditation, practitioners use visualization to transform their bodies into a dwelling space for deities and envision themselves as enlightened buddhas.
The imprecise iconography, simple lines, and repeated, schematic shapes suggest that this is a work of “village art,” paintings made by untrained or self-taught artists that are sold to pilgrims and tourists at the entrances to Buddhist temples.
Exhibition History
This vision of the interior of a human body derives from the Himalayan tradition of “body mandalas.” These complex paintings map a spiritual cosmos onto the human body, and are found in Hinduism, the indigenous Tibetan religion, Bön, and, like this one, in Tibetan Buddhism. In forms of advanced Tibetan Buddhist meditation, practitioners use visualization to transform their bodies into a dwelling space for deities and envision themselves as enlightened buddhas.
The imprecise iconography, simple lines, and repeated, schematic shapes suggest that this is a work of “village art,” paintings made by untrained or self-taught artists that are sold to pilgrims and tourists at the entrances to Buddhist temples.
The Invisible Body
- Allen Memorial Art Museum, Oberlin, OH (August 29, 2023 - January 23, 2024 )
Collections
- Asian
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18th century
16th–17th century
17th–18th century
17th–18th century
19th century
19th century
ca. 1750
19th century
16th century