Padmapāṇi Lokeśvara (Avalokiteśvara as Lotus Holder)
Artist/Maker
Tibetan
Previous Attribution
Indian
, Kashmir, Chamba
Date11th century
MediumBronze
DimensionsOverall: 17 15/16 × 6 11/16 × 3 3/4 in. (45.5 × 17 × 9.5 cm)
Credit LineMrs. F. F. Prentiss Fund
Object number1973.26
Status
On viewPadmapāṇi means “lotus holder,” and was another name for Avalokiteśvara, the bodhisattva who represents the vast compassion of all of the buddhas. Here, Padmapāṇi holds the stem of a lotus in their proper left hand, and the blossom rests by their left shoulder. Because the lotus is a beautiful flower that rises on a long stem out of muddy ponds, it became a symbol of purity in South Asian religions. In Buddhism the lotus represents the enlightened mind that rises above the ignorance, attachment, and aversion that keep us tied to our world of suffering (Saṃsāra).
As an earthly emanation of the buddha Amitābha, Avalokiteśvara can often be identified by a small image of that buddha in their crown, seen here. Another common feature is the deerskin (krishnasara) worn on one shoulder. In Buddhist art deer (mriga, sometimes antelopes) are rich in meaning, referring to the Deer Park where Shakyamuni Buddha first preached; they also symbolize a fearful being that has conquered fear in the presence of the Buddhist teachings (Dharma). The bodhisattva’s right hand is in the gesture granting fearlessness (abhaya mudrā).
The style of this sculpture suggests that it was made in the Guge Kingdom in Western Tibet (ca. 10th–17th centuries).
Exhibition History
As an earthly emanation of the buddha Amitābha, Avalokiteśvara can often be identified by a small image of that buddha in their crown, seen here. Another common feature is the deerskin (krishnasara) worn on one shoulder. In Buddhist art deer (mriga, sometimes antelopes) are rich in meaning, referring to the Deer Park where Shakyamuni Buddha first preached; they also symbolize a fearful being that has conquered fear in the presence of the Buddhist teachings (Dharma). The bodhisattva’s right hand is in the gesture granting fearlessness (abhaya mudrā).
The style of this sculpture suggests that it was made in the Guge Kingdom in Western Tibet (ca. 10th–17th centuries).
Revelations of the Dharma: Buddhist Art and Iconography
- Allen Memorial Art Museum, Oberlin, OH (January 20, 1998 - May 31, 1998 )
Collections
- On View
- Asian
This record was created from historic documentation and may not have been reviewed by a curator. Noticed a mistake? Have some extra information about this object?
Please contact us.
18th century
16th–17th century
17th–18th century
17th–18th century
20th century
19th century
19th century
ca. 1750
19th century
16th century