Blossoming Plum
Artist/Maker
Setsugai 雪外
(Japanese, active late 15th–early 16th century)
Datelate 15th–early 16th century
MediumHanging scroll, ink and wash on paper
DimensionsImage: 56 1/2 × 15 15/16 in. (143.5 × 40.5 cm)
Mount: 86 × 16 3/4 in. (218.4 × 42.5 cm)
Mount: 86 × 16 3/4 in. (218.4 × 42.5 cm)
Credit LineR. T. Miller Jr. Fund
Object number1982.72
Status
Not on viewPrunus trees have traditionally held great symbolic significance in both China and Japan. Being winter-hardy and long-lived, they have been regarded as symbols of endurance and perseverance. Furthermore, because prunus trees flower so early in the year, they have been seen as symbols of rejuvenation and vitality, while the lightness and delicacy of their blossoms has also made them into symbols of purity and feminine gracefulness. Historically, many painters enjoyed depicting prunus trees because the gnarled, twisting branches and the complex, delicate flowers tested their brush skills, while the irregular arrangements of the shapes and spaces in and around the forms challenged their compositional abilities.
A seal on the painting identifies it as the work of a Buddhist monk-painter named Setsugai. Little is known about him, though his name suggests that he may have been of Chinese or Korean extraction. Buddhist monks often traveled back and forth between China, Korea, and Japan, and their interactions facilitated the spread of cultural beliefs and practices among the three countries. This painting may have been made to hang in a tearoom or a nonreligious building within a Zen temple, probably as a seasonal image celebrating the arrival of spring.
Exhibition History
A seal on the painting identifies it as the work of a Buddhist monk-painter named Setsugai. Little is known about him, though his name suggests that he may have been of Chinese or Korean extraction. Buddhist monks often traveled back and forth between China, Korea, and Japan, and their interactions facilitated the spread of cultural beliefs and practices among the three countries. This painting may have been made to hang in a tearoom or a nonreligious building within a Zen temple, probably as a seasonal image celebrating the arrival of spring.
New Acquisitions, 1981-1983
- Allen Memorial Art Museum, Oberlin, OH (July 1, 1983 - October 9, 1983 )
Highlights of the Ainsworth Collection of Japanese Woodblock Prints
- Allen Memorial Art Museum, Oberlin, OH (May 15, 1990 - July 18, 1990 )
Chinese and Japanese Art from Antiquity to the Present
- Allen Memorial Art Museum, Oberlin, OH (September 17, 2002 - June 9, 2003 )
The Three Friends of Winter: Pine, Bamboo, and Plum
- Allen Memorial Art Museum, Oberlin, OH (February 5, 2019 - May 26, 2019 )
Collections
- Asian
This record was created from historic documentation and may not have been reviewed by a curator. Noticed a mistake? Have some extra information about this object?
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late 19th century
late 19th century
late 19th–early 20th century
late 19th century