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Morning View of Nihon Bridge, no. 1 from the series Fifty-three Stations of the Tōkaidō

Artist/Maker (Japanese, 1797–1858)
Date1834
MediumColor woodblock print (nishiki-e); ink and color on paper
DimensionsHorizontal ōban; overall: 9 5/8 × 14 1/4 in. (24.4 × 36.2 cm)
Credit LineMary A. Ainsworth Bequest
PortfolioFifty-three Stations of the Tōkaidō (Tōkaidō gojusantsugi no uchi)
Object number1950.788
Status
Not on view
More Information
This is the first print in Hiroshige’s masterpiece, the Hōeidō edition of The Fifty-Three Stations of the Tōkaidō. Nihonbashi, or the Japan Bridge, was considered the starting point of all five highways connecting Edo with the rest of the country. A morning glow in the sky forms a backdrop for the procession of a daimyo, or lord, as it begins to cross the bridge. Street vendors with fish or vegetables slung on their poles scramble to get out of the way. This scene representing many “beginnings”—of the day, of stately departure, and of stocking up for business— makes a fitting opening for the series.
Exhibition History
Hiroshige's Tokaido Prints: Views of Nineteenth-Century Japan
  • Allen Memorial Art Museum, Oberlin, OH (March 25, 1997 - June 9, 1997 )
Ukiyo-e Prints from the Mary Ainsworth Collection
  • Chiba City Museum of Art, Chiba, Japan (April 13, 2019 - May 25, 2019 )
  • Shizuoka City Museum of Art, Shizuoka, Japan (June 8, 2019 - July 28, 2019 )
  • Osaka City Museum of Fine Arts, Osaka, Japan (August 10, 2019 - September 29, 2019 )
Ukiyo-e Prints from the Mary Ainsworth Collection
  • Allen Memorial Art Museum, Oberlin, OH (January 14, 2020 - December 6, 2020 )
Collections
  • Asian
This record was created from historic documentation and may not have been reviewed by a curator. Noticed a mistake? Have some extra information about this object? Please contact us.