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Mankind

Artist/Maker (American, b. 1948)
Date1983–85
MediumComputer-generated black and white silver print
DimensionsImage: 8 × 7 1/4 in. (20.3 × 18.4 cm)
Sheet: 14 × 11 in. (35.5 × 28 cm)
Credit LineHorace W. Goldsmith Foundation Photography Fund
Edition9/15
Object number1993.3.2
Status
Not on view
Copyright© Nancy BursonMore Information
Burson was a pioneer of computer-manipulated photographic portraits in the early 1980s, prior to the advent of Photoshop and other now-popular tools for post-production alterations. The full title of this work is Mankind (An Oriental, a Caucasian, and a Black weighted according to current population statistics). Like much of her work, this image addresses stereotypes, typologies, and the way in which external appearances are instrumentalized in the service of profiling and data collection.

In 1982, she began to collaborate with two MIT engineers, Richard Carling and David Kramlich, to produce images such as this one. They developed a computer program that allowed photographs of faces to be combined pixel by pixel to make new images. In addition to making artworks, the program allowed them to age the human face, which eventually assisted the FBI in locating missing persons. Burson’s work offers an important precedent to the now-widely-acknowledged racial and gender bias in computerized image technologies such as facial recognition software.
ProvenanceGlenn Macura. (Jayne H. Baum Gallery, New York); purchased 1993 by Allen Memorial Art Museum, Oberlin, OHExhibition History
Facing the Camera: Selected Portrait Photographs from the Collection
  • Allen Memorial Art Museum, Oberlin, OH (January 21, 1995 - March 9, 1995 )
Femme 'n isms, Part II: Flashpoints in Photography
  • Allen Memorial Art Museum, Oberlin, OH (January 2, 2024 - January 18, 2025 )
Collections
  • Modern & Contemporary
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