The Crowd
Artist/Maker
Félix Vallotton
(Swiss, 1865–1925)
Date1894
MediumOil on hardwood panel
DimensionsOverall: 10 9/16 × 13 3/4 in. (26.8 × 34.9 cm)
Frame: 14 5/16 × 17 3/8 × 1 7/16 in. (36.4 × 44.1 × 3.7 cm)
Frame: 14 5/16 × 17 3/8 × 1 7/16 in. (36.4 × 44.1 × 3.7 cm)
Credit LineElisabeth Lotte Franzos Bequest
Object number1958.57
Status
Not on viewFélix Vallotton was associated with the Nabis, a group of young French painters influenced by Gauguin and the Symbolist movement in the last decade of the 19th century. Among his colleagues were Pierre Bonnard and Edouard Vuillard, who often overshadowed the more elusive Vallotton. Among his strongest works is an early series of small paintings and woodcuts he produced in the 1890s when he was looking to Gauguin for aesthetic leadership. The series was made up largely of street scenes and interiors with figures, all executed with poster-like colors, flat shapes and unexpected perspectives common to the Parisian art scene at the time.
Exhibition History
Artists of La Revue Blanche
- Memorial Art Gallery of the University of Rochester, New York (January 22, 1984 - April 15, 1984 )
Director's Choice: 19th Century European Paintings and Sculpture
- Allen Memorial Art Museum, Oberlin, OH (November 9, 1986 - January 4, 1987 )
Felix Vallotton: A Retrospective
- Yale University Art Gallery, New Haven, CT (October 24, 1991 - January 5, 1992 )
American Responses to European Modernism, 1875-1925
- Allen Memorial Art Museum, Oberlin, OH (November 4, 1995 - February 19, 1996 )
Figure to Non-Figurative: The Evolution of Modern Art in Europe and North America, 1830-1950
- Allen Memorial Art Museum, Oberlin, OH (August 23, 2002 - June 9, 2003 )
Collections
- European
This record was created from historic documentation and may not have been reviewed by a curator. Noticed a mistake? Have some extra information about this object?
Please contact us.
19th century
late 18th century