Courtesan Standing on a Veranda (Parody of Mugen no Kane)
Artist/Maker
Suzuki Harunobu 鈴木春信
(Japanese, 1725–1770)
Date1767
MediumColor woodblock print (nishiki-e); ink and color on paper
DimensionsVertical chūban; overall: 11 × 8 3/8 in. (27.9 × 21.3 cm)
Credit LineMary A. Ainsworth Bequest
Object number1950.241
Status
Not on viewA lonely courtesan stands on the veranda’s edge, gazing sadly at a stone water basin in a courtyard. Her arms are tucked into her kimono against the night’s chill. Shadows of performers appear on the paper shoji screen behind her; we can almost hear the music and laughter.
Like the similar pillar print by Harunobu seen above, this is a parody print referencing the legendary Mugen no Kane, the magical temple bell that grants great wealth but casts the bell-ringer into hell in their next life. In a well-known kabuki theater version of the tale, a woman named Umegae had become a courtesan in order to redeem her samurai husband’s armor that was pawned. Recalling the story, she struck a water basin with a ladle as though it were the legendary bell. Umegae’s mother-in-law, in disguise and watching her from the second floor, was so moved that she sent down gold coins to help her. In the print, yellow flowers (Kerria japonica) growing beside the wash basin suggest the gold coins that had been sent down.
Exhibition History
Like the similar pillar print by Harunobu seen above, this is a parody print referencing the legendary Mugen no Kane, the magical temple bell that grants great wealth but casts the bell-ringer into hell in their next life. In a well-known kabuki theater version of the tale, a woman named Umegae had become a courtesan in order to redeem her samurai husband’s armor that was pawned. Recalling the story, she struck a water basin with a ladle as though it were the legendary bell. Umegae’s mother-in-law, in disguise and watching her from the second floor, was so moved that she sent down gold coins to help her. In the print, yellow flowers (Kerria japonica) growing beside the wash basin suggest the gold coins that had been sent down.
A College Collects: Japanese Prints from Oberlin College
- Allentown Art Museum, Allentown, PA (September 25, 1960 - October 15, 1960 )
- Hollins College, Hollins, VA (November 5, 1960 - November 25, 1960 )
- Public Library of Winston-Salem, Winston-Salem, NC (December 9, 1960 - December 29, 1960 )
- Watkins Institute, Nashville, TN (January 12, 1961 - February 2, 1961 )
- Port Arthur Service League, Port Arthur, TX (March 20, 1961 - April 10, 1961 )
- University of Connecticut, Storrs, CT (April 23, 1961 - May 15, 1961 )
- Dickinson College, Carlisle, PA (October 6, 1961 - October 26, 1961 )
- Western Michigan University, Kalamazoo, MI (November 8, 1961 - November 29, 1961 )
- State University of New York, Oswego, NY (January 14, 1962 - February 4, 1962 )
- Art Gallery of Greater Victoria, British Columbia, Canada (March 23, 1962 - April 13, 1962 )
- Wichita Art Museum, Wichitia, KS (September 6, 1962 - September 26, 1962 )
- Tuskegee Institute, Tuskegee, AL (October 16, 1962 - November 6, 1962 )
- University of Rochester, Rochester, NY (November 20, 1962 - December 11, 1962 )
Japanese Print Exhibition
- Carleton College Art Department (April 21, 1965 - May 9, 1965 )
Japanese Prints from the Ainsworth Collection, Oberlin College
- Mansfield Fine Arts Guild, Mansfield, OH (November 7, 1965 - November 28, 1965 )
Ukiyo-e Prints from the Mary Ainsworth Collection
- Chiba City Museum of Art, Chiba, Japan (April 13, 2019 - May 25, 2019 )
- Shizuoka City Museum of Art, Shizuoka, Japan (June 8, 2019 - July 28, 2019 )
- Osaka City Museum of Fine Arts, Osaka, Japan (August 10, 2019 - September 29, 2019 )
Ukiyo-e Prints from the Mary Ainsworth Collection
- Allen Memorial Art Museum, Oberlin, OH (January 14, 2020 - December 6, 2020 )
Collections
- Asian
This record was created from historic documentation and may not have been reviewed by a curator. Noticed a mistake? Have some extra information about this object?
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late 19th century
late 19th century
late 19th–early 20th century
late 19th century