Power Figure (Nkisi Nkondi)
Artist/Maker
Bakongo
, Democratic Republic of the Congo
Date20th century
MediumWood, cloth, feathers, ritual materials, bush rope, animal fur, glass, and nails
DimensionsOverall: 21 × 4 1/2 × 4 1/2 in. (53.3 × 11.4 × 11.4 cm)
Credit LineGift in honor of Alexandra Gould (OC 2011)
Object number2011.26.43
Status
On viewKongo spiritual thought was dominated by the dualistic concept of natural order and oppositional chaos which were kept in balance by the chief, ancestors, and the individual, acting in societally prescribed manners.
With a breakdown in this balance, inauspicious events such as sickness, infertility or unexpected calamities occurred and were regarded as proof of witchcraft or evil sorcery, or conversely, the failure of the individual to obey the social mores that maintain stability. In such a case, a ritual expert or Nganga was required to rectify the problem.
The role of the Nganga was to prescribe a specific charm, or nkisi (plural minkisi), consisting of a plethora of materials based on sympathetic magic that when added together and ‘activated’ by some means at the Nganga’s disposal would serve as an effective countermeasure to rebalance the natural forces gone awry.
Most minkisi were little more than packets containing various organic and inorganic materials such as remains of predatory animals or stones and sand from the graves of powerful chiefs. However, in certain cases, the form taken was that of a human or animal figure empowered as an nkisi by the insertion of the prescribed materials into cavities in the body or added to the body of the figure itself.
This nkisi figure is masterfully carved as a naturalistic standing male; his face strong and aggressive, and his hair a complex of feathers and other organic objects in a complex coif. The body is covered by a large quantity of various magical materials. The figure is ‘empowered’ by the addition of the nkisi charm in its belly and possibly in other cavities as well. The addition of white pigment to the face connects the nkisi with the spirit world.
Exhibition History
With a breakdown in this balance, inauspicious events such as sickness, infertility or unexpected calamities occurred and were regarded as proof of witchcraft or evil sorcery, or conversely, the failure of the individual to obey the social mores that maintain stability. In such a case, a ritual expert or Nganga was required to rectify the problem.
The role of the Nganga was to prescribe a specific charm, or nkisi (plural minkisi), consisting of a plethora of materials based on sympathetic magic that when added together and ‘activated’ by some means at the Nganga’s disposal would serve as an effective countermeasure to rebalance the natural forces gone awry.
Most minkisi were little more than packets containing various organic and inorganic materials such as remains of predatory animals or stones and sand from the graves of powerful chiefs. However, in certain cases, the form taken was that of a human or animal figure empowered as an nkisi by the insertion of the prescribed materials into cavities in the body or added to the body of the figure itself.
This nkisi figure is masterfully carved as a naturalistic standing male; his face strong and aggressive, and his hair a complex of feathers and other organic objects in a complex coif. The body is covered by a large quantity of various magical materials. The figure is ‘empowered’ by the addition of the nkisi charm in its belly and possibly in other cavities as well. The addition of white pigment to the face connects the nkisi with the spirit world.
Engaging Spirits, Empowering Man: Sculpture of Central and West Africa
- Allen Memorial Art Museum, Oberlin, OH (February 1, 2009 - December 23, 2009 )
Afterlives of the Black Atlantic
- Allen Memorial Art Museum, Oberlin, OH (January 20, 2019 - May 24, 2020 )
Collections
- On View
- African & Oceanic
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20th century
18th–19th century
n.d.
20th century
19th century
20th century
20th century
20th century
late 19th–early 20th century
20th century