White Net Painting
Artist/Maker
Yayoi Kusama (Kusama Yayoi 草間彌生)
(Japanese, b. 1929)
Date1960
MediumOil on canvas
DimensionsOverall: 57 1/2 × 59 1/4 in. (146.1 × 150.5 cm)
Credit LineGift of Mr. and Mrs. Harry L. Tepper
Object number1966.31
Status
Not on viewAs a student in Japan in the 1950s, Yayoi Kusama felt constrained by the conservative atmosphere and painting style of her art school, and became intrigued by the art being produced in the United States. She corresponded with painter Georgia O'Keeffe, and in 1958 relocated to New York City, where she became a major figure in the Pop and Minimalist movements of the era, creating paintings and sculpture, prints, films, as well as performance and installation works.
White Net Painting was among her first forays into what later became known as Infinity Nets, meticulously rendered accumulations of obsessively repeated strokes that recreate visual hallucinations that the artist has experienced since childhood. Of these works, Kusama has said “I saw the same pattern covering the ceiling, the windows and the walls, and finally all over the room, my body and the universe. I felt as if I had begun to self-obliterate, to revolve in the infinity of endless time and the absoluteness of space, and be reduced to nothingness.”
This work may originally have been a part of a 33-foot white infinity net canvas shown in her solo exhibition at the Stephen Radich Gallery in New York in May 1961.
Exhibition History
White Net Painting was among her first forays into what later became known as Infinity Nets, meticulously rendered accumulations of obsessively repeated strokes that recreate visual hallucinations that the artist has experienced since childhood. Of these works, Kusama has said “I saw the same pattern covering the ceiling, the windows and the walls, and finally all over the room, my body and the universe. I felt as if I had begun to self-obliterate, to revolve in the infinity of endless time and the absoluteness of space, and be reduced to nothingness.”
This work may originally have been a part of a 33-foot white infinity net canvas shown in her solo exhibition at the Stephen Radich Gallery in New York in May 1961.
Repeat Performances: Seriality and Systems Art since 1960
- Allen Memorial Art Museum, Oberlin, OH (September 4, 2007 - February 24, 2008 )
Rethinking Art: Objects and Ideas from the 1960s and 70s
- Akron Art Museum, Akron, OH (June 6, 2009 - October 4, 2009 )
Psycho / Somatic: Visions of the Body in Contemporary East Asian Art
- Allen Memorial Art Museum, Oberlin, OH (June 16, 2015 - June 5, 2016 )
Do It Again: Repetition as Artistic Strategy, 1945 to Now
- Allen Memorial Art Museum, Oberlin, OH (August 25, 2020 - July 2, 2021 )
New Acquisitions and Old Friends
- Allen Memorial Art Museum, Oberlin, OH (August 3, 2021 - June 12, 2022 )
Collections
- Modern & Contemporary
This record was created from historic documentation and may not have been reviewed by a curator. Noticed a mistake? Have some extra information about this object?
Please contact us.
late 19th century
late 19th century
late 19th–early 20th century
late 19th century