Guanyin of the Lion's Roar
Artist/Maker
Chinese
Date19th century
MediumBlanc de Chine (Dehua) porcelain
DimensionsOverall: 13 1/4 × 9 1/2 × 7 1/4 in. (33.7 × 24.1 × 18.4 cm)
Credit LineGift of Ronald J. DiCenzo, Oberlin College Emeritus Professor of History and East Asian Studies
Object number2007.26.8
Status
On viewOne of the most popular deities in Asia, Guanyin Bodhisattva (Guānyīn púsà 观音菩萨, 觀音菩薩), the Bodhisattva of Infinite Compassion, is found not only in Chinese Buddhism but also in the indigenous Daoist tradition as well as in Chinese folk religion. Originating in India as the male bodhisattva Avalokiteśvara, Guanyin gradually became female in China, perhaps blending with early Chinese goddess worship.
Guanyin can be identified as a bodhisattva by her complex garments and scarves, the jewelry and ornaments she wears, and the locks of hair that tumble down her shoulders. She is seated in the “posture of royal ease” (lalitāsana), with one leg pendant and the other tucked in. Often called the Lotus Holder (Padmāpani), here Guanyin delicately grasps a lotus stem in her left hand. In contrast to the grace and elegance of the figure is the lion-like beast she rides, identifying this form of the deity as Guanyin of the Lion’s Roar (Simhanada Avalokiteśvara; Shīhǒu Guānyīn 狮吼观音, 獅吼觀音).
The medium is Blanc de Chine (Chinese White) or Dehua Ware, named for the county in China’s Fujian province that produced works of pure white porcelain, most famously used for religious icons such as this one.
Exhibition History
Guanyin can be identified as a bodhisattva by her complex garments and scarves, the jewelry and ornaments she wears, and the locks of hair that tumble down her shoulders. She is seated in the “posture of royal ease” (lalitāsana), with one leg pendant and the other tucked in. Often called the Lotus Holder (Padmāpani), here Guanyin delicately grasps a lotus stem in her left hand. In contrast to the grace and elegance of the figure is the lion-like beast she rides, identifying this form of the deity as Guanyin of the Lion’s Roar (Simhanada Avalokiteśvara; Shīhǒu Guānyīn 狮吼观音, 獅吼觀音).
The medium is Blanc de Chine (Chinese White) or Dehua Ware, named for the county in China’s Fujian province that produced works of pure white porcelain, most famously used for religious icons such as this one.
Asian Art and the Allen: American Collectors in the Early 20th Century
- Allen Memorial Art Museum, Oberlin, OH (August 19, 2014 - July 12, 2015 )
Return of the Dragon
- Allen Memorial Art Museum, Oberlin, OH (August 31, 2015 - June 5, 2016 )
Inspirations: Global Dialogue Through the Arts
- Allen Memorial Art Museum, Oberlin, OH (July 5, 2023 - May 31, 2025 )
Collections
- On View
- Asian
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first half 20th century
first half 20th century
early 19th century
18th–19th century
first half 20th century
first half 20th century
19th century