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Cutting from an Antiphonary, with the Initial C ("Calicem"): the Host in a Monstrance on an Altar

Artist/Maker (Italian, from Cremona, active late 15th century)
Date1480–90
MediumInk, tempera and gold leaf on parchment
DimensionsOverall: 5 3/4 × 6 1/4 in. (14.6 × 15.9 cm)
Credit LineGift of Robert Lehman
PortfolioPia Palladino from the Metropolitan Museum of Art published this works as a cutting from an antiphonary, Monstrance on an Altar in an Initial C, 2003. See publication history below.
Object number1943.17
Status
Not on view
More Information
Although the mass was the central act of Christian liturgy throughout the Middle Ages, the Catholic Church put renewed focus on the Eucharistic devotion in the thirteenth century. In 1264, Pope Urban IV added the feast of Corpus Domini (the Body of the Lord) to the church’s liturgical calendar; it is a movable feast falling on the Thursday after Trinity Sunday of each year. The initial “C” began the phrase “Calicem salutaris” (The cup of salvation), which was read during the office of Vespers on this feast day. The image within the initial, appropriate to this feast, shows a radiant monstrance displaying a consecrated host. The image refers to the widespread practice of displaying consecrated Eucharists in churches, so that Christians could adore Christ’s presence in the host even when a mass was not in progress.
Exhibition History
Books of Revelation: Medieval Illuminated Manuscripts from Oberlin College Collections
  • Allen Memorial Art Museum, Oberlin, OH (January 31, 1995 - April 9, 1995 )
Illuminated Manuscripts from the Thirteenth-Sixteenth Centuries
  • Allen Memorial Art Museum, Oberlin, OH (February 6, 2007 - June 2, 2007 )
Private Prayer, Public Performance: Religious Books of the Later Middle Ages and Renaissance
  • Allen Memorial Art Museum, Oberlin, OH (January 29, 2013 - June 30, 2013 )
Collections
  • European