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Slant Piece

Artist/Maker (American, 1938–1973)
Date1969–76
MediumMirror and rock salt
DimensionsOverall: 48 1/16 × 59 13/16 × 48 1/16 in. (122 × 152 × 122 cm)
Credit LineGift of the Buckeye Trust in memory of Ruth C. Roush (OC 1934)
Object number1980.22
Status
Not on view
Copyright© Estate of Robert Smithson / Visual Artists and Galleries Association (VAGA), New York, NYMore Information
Slant Piece is a reconstruction of a work from Robert Smithson's Cayuga Salt Mine Project completed in Ithaca, N.Y., in 1968-69. Smithson conceived of the Cayuga project as a "Site/Nonsite" installation. Configurations of rock-salt and mirrors were simultaneous placed at the Cayuga Rock Salt Company quarry (the "Site"), and at Cornell University's Andrew Dickson White Museum of Art (the "Nonsite"). Eight mirrors were placed on site in the mine, and another eight along the trail that led from the mine to the gallery. An additional eight mirrors were placed in the museum gallery at equal intervals against the wall, with rock salt piled between and partly on top of the mirrors. Two larger mirrors surrounded by rock salt were placed in the center of the gallery. Although the original Mirror Displacement works (Smithson's term) from the Cayuga Salt Mine Project were destroyed, several unique reconstructions-including Slant Piece-were made under the direction of the John Weber Gallery in 1976. The pieces were reconstructed from Smithson's photographs, notes, and drawings from the project, and rock salt from the Cayuga salt mine was used. In a gallery setting, Slant Piece becomes a "nonsite" that absorbs, reflects, and displaces its surroundings.
Exhibition History
Earth Art
  • Andrew Dickson White Museum of Art, Cornell University, Ithaca, NY (February 11, 1969 - March 16, 1969 )
Robert Smithson
  • John Weber Gallery, New York (April 24, 1976 - May 19, 1976 )
From Reinhardt to Christo: Works acquired through the benefaction of the late Ruth C. Roush
  • Allen Memorial Art Museum, Oberlin, OH (February 20, 1980 - March 19, 1980 )
Selections from the Permanent Collection: Landscape
  • Allen Memorial Art Museum, Oberlin, OH (June 15, 1993 - August 19, 1993 )
Theatricality, Temporality and the Visual Arts: 1960-1990
  • Allen Memorial Art Museum, Oberlin, OH (August 25, 1994 - December 20, 1994 )
Presence in Minimal and Postminimal Art: Selections from the Permanent Collection
  • Allen Memorial Art Museum, Oberlin, OH (April 11, 1995 - May 29, 1995 )
Robert Smithson / Tony Tasset: Site/Nonsite
  • Museum of Contemporary Art Chicago (October 7, 1995 - December 3, 1995 )
L'Informe: le Modernisme a Rebours
  • Centre Georges Pompidou, Paris (May 15, 1996 - August 26, 1996 )
As Painting: Division and Displacement
  • Wexner Center for the Arts, The Ohio State University, Columbus, OH (May 12, 2001 - August 12, 2001 )
From Modernism to the Contemporary, 1958-1999
  • Allen Memorial Art Museum, Oberlin, OH (January 21, 2003 - September 9, 2003 )
20th Century Paintings and Sculpture from the Collection
  • Allen Memorial Art Museum, Oberlin, OH (August 31, 2004 - March 20, 2005 )
New Frontiers: American Art Since 1945
  • Allen Memorial Art Museum, Oberlin, OH (August 29, 2006 - December 23, 2006 )
Rethinking Art: Objects and Ideas from the 1960s and 70s
  • Akron Art Museum, Akron, OH (June 6, 2009 - October 4, 2009 )
Religion, Ritual, and Performance in Modern and Contemporary Art
  • Allen Memorial Art Museum, Oberlin, OH (August 28, 2012 - May 26, 2013 )
The Body is the Map: Approaches to Land in the Americas after 1960
  • Allen Memorial Art Museum, Oberlin, OH (January 22, 2019 - June 23, 2019 )
Everything is Stardust: Artmaking and the Knowability of the Universe
  • Allen Memorial Art Museum, Oberlin, OH (August 1, 2023 - December 23, 2023 )
Collections
  • Modern & Contemporary
This record was created from historic documentation and may not have been reviewed by a curator. Noticed a mistake? Have some extra information about this object? Please contact us.