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Autumn Moon at Ishiyama, from Eight views of Lake Biwa

Artist/Maker (Japanese, 1725–1770)
Datemid-1760s
MediumWoodblock print (benizuri-e); ink and limited color on paper
DimensionsVertical hosoban; overall: 12 3/16 × 5 1/2 in. (31 × 14 cm)
Credit LineMary A. Ainsworth Bequest
PortfolioEight Views of Lake Biwa (Omi hakkei no uchi)
Object number1950.231
Status
On view
More Information
Travelers arrive at a temple by boat and make their way to the gate in the foreground. The main hall and a pagoda are further inside the grounds, on a raised hill emerging from mist. The red color of the temple buildings is mirrored in the red leaves, a symbol of autumn.

This rare early print by Harunobu uses a very limited color selection and was made before his pioneering use of full-color printing in the 1760s. The scene shows Ishiyama temple, a site traditionally associated with the influential 11th-century novel The Tale of Genji. Harunobu’s depiction of the site appears more imagined than realistic. The accompanying poem reads: “Ishiyama! The moonlight that shines on the Bay of Niho is none other than that at both Suma and Akashi!” The poem references settings in the Tale and emphasizes a connection with distant friends or lovers—all see the same moon.
Exhibition History
Transformations: Chinese Themes and Images in Japanese Woodblock Prints
  • Allen Memorial Art Museum, Oberlin, OH (March 12, 1996 - May 27, 1996 )
Ukiyo-e Prints from the Mary Ainsworth Collection
  • Chiba City Museum of Art, Chiba, Japan (April 13, 2019 - May 25, 2019 )
  • Shizuoka City Museum of Art, Shizuoka, Japan (June 8, 2019 - July 28, 2019 )
  • Osaka City Museum of Fine Arts, Osaka, Japan (August 10, 2019 - September 29, 2019 )
Eight Views: Place, Picture, and Poem in East Asia
  • Allen Memorial Art Museum, Oberlin, OH (January 31, 2025 - August 10, 2025 )
Collections
  • On View
  • Asian