"Charisma is the perfume of your gods"
Artist/Maker
Barbara Kruger
(American, b. 1945)
Date1982
MediumBlack and white photomural
DimensionsOverall: 49 × 48 in. (124.5 × 121.9 cm)
Frame: 50 × 49 × 2 in. (127 × 124.5 × 5.1 cm)
Frame: 50 × 49 × 2 in. (127 × 124.5 × 5.1 cm)
Credit LinePurchased with funds provided by Carl Read Gerber (OC 1958), in memory of Elizabeth Ann Gerber
Object number1983.3
Status
Not on viewCombining graphics reminiscent of Life and Look magazines with acerbic text, Barbara Kruger’s images expose the hypocrisy, misogyny, violence, consumerism, and ignorance of modern society. Her black, white, and red palette further invokes the Russian and Eastern European avant-gardes of the early 20th century, underscoring the critique of power and capital that vibrates throughout Charisma is the perfume of your gods, which destabilizes the image of a coin resembling the U.S. quarter.
Kruger’s work takes on new meaning when her images appear on a diverse range of media, from t-shirts, mugs, and tote bags to matchbooks and subway cards. Writ small, Kruger’s images circulate insidiously, infiltrating the realm of the everyday. When Kruger enlarges her images to the scale of a room, immersing the viewer in an oppressive environment, the work takes on totalitarian dimensions. Kruger’s objects also consciously address themselves to varying demographics: skateboards that say “Don’t be a jerk” (a play on goods produced by the streetwear brand Supreme, whose logo actually derives from Kruger’s work) target a very different audience than the one that might be interested in the 18-carat white gold charm of the coin motif from Charisma, which bears the phrase, “Money can buy you Love.”
Exhibition History
Kruger’s work takes on new meaning when her images appear on a diverse range of media, from t-shirts, mugs, and tote bags to matchbooks and subway cards. Writ small, Kruger’s images circulate insidiously, infiltrating the realm of the everyday. When Kruger enlarges her images to the scale of a room, immersing the viewer in an oppressive environment, the work takes on totalitarian dimensions. Kruger’s objects also consciously address themselves to varying demographics: skateboards that say “Don’t be a jerk” (a play on goods produced by the streetwear brand Supreme, whose logo actually derives from Kruger’s work) target a very different audience than the one that might be interested in the 18-carat white gold charm of the coin motif from Charisma, which bears the phrase, “Money can buy you Love.”
Art & Social Change, U.S.A.
- Allen Memorial Art Museum, Oberlin, OH (April 19, 1983 - May 30, 1983 )
Subjects of Desire: Issues in Contemporary Photography
- Allen Memorial Art Museum, Oberlin, OH (January 7, 1997 - March 9, 1997 )
Prints Since 1960
- Allen Memorial Art Museum, Oberlin, OH (August 25, 1998 - November 1, 1998 )
Print Portfolios Since 1960
- Allen Memorial Art Museum, Oberlin, OH (November 6, 1998 - December 20, 1998 )
Framed and Shot: Photographs from the Allen Memorial Art Museum
- Allen Memorial Art Museum, Oberlin, OH (March 1, 2000 - May 30, 2000 )
In the Tower: Barbara Kruger
- National Gallery of Art, Washington, DC (September 30, 2016 - January 29, 2017 )
Barbara Bloom in Context: Works from the Pictures Generation
- Allen Memorial Art Museum, Oberlin, OH (July 11, 2018 - December 23, 2018 )
Bakunin's Barricade: Ahmet Öğüt
- Allen Memorial Art Museum, Oberlin, OH (July 16, 2022 - December 23, 2022 )
Collections
- Modern & Contemporary
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1999
2024
1975
postmarked July 4, 1958