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The Courtesan Takigawa of the Ogiya House Offering herself Publically for the First Time in the Year, from the series Beauties of the Green Houses
The Courtesan Takigawa of the Ogiya House Offering herself Publically for the First Time in the Year, from the series Beauties of the Green Houses

The Courtesan Takigawa of the Ogiya House Offering herself Publically for the First Time in the Year, from the series Beauties of the Green Houses

after (Japanese, 1756–1829)
Datelate 19th century
MediumColor woodblock print (nishiki-e); ink and color on paper
DimensionsVertical ōban; overall: 14 13/16 × 9 3/4 in. (37.6 × 24.8 cm)
Credit LineMary A. Ainsworth Bequest
PortfolioBeauties of the Green Houses (Seiro bijin awase)
Object number1950.450
Status
Not on view
More Information
The ukiyo-e (pictures of the floating world) genre of wood-block printing captured the excitement and beauty of the burgeoning urban culture in Edo (Tokyo). Woodblock prints, inexpensive and mass produced, were aimed at the merchant class, who contributed to their popularity. Professional courtesans, such as the woman portrayed here, were among the primary subjects, which also included kabuki actors and landscapes. The extravagance and gentle sweeping outlines of the multicolored patterned clothing—both common to nishiki-e (brocade pictures)—suggest a covert eroticism without invoking government-imposed regulations on content and style. These women were highly idealized by ukiyo-e stylistic conventions, however, and the harsh reality of their everyday lives as courtesans was rarely depicted.
Exhibition History
An American University Collection: Works of Art from the Allen Memorial Art Museum, Oberlin, Ohio
  • Kenwood House, London (May 3, 1962 - October 30, 1962 )
Collections
  • Asian