Citoyennes... on fait courir le bruit ... (Women Citizens... there is a rumor spreading...), from the series Les Divorceuses
Artist/Maker
Honoré Daumier
(French, 1808–1879)
Date1848
MediumLithograph
DimensionsImage: 9 7/8 × 8 5/16 in. (25.1 × 21.1 cm)
Sheet: 14 1/16 × 9 7/8 in. (35.7 × 25.1 cm)
Sheet: 14 1/16 × 9 7/8 in. (35.7 × 25.1 cm)
Credit LineGeneral Acquisitions Fund
PortfolioLes Divorceuses (Advocates of Divorce)
Object number1935.77
Status
Not on viewDuring the Revolution of 1848 and in its aftermath, feminist activists founded newspapers and formed clubs as places to come together to discuss their goals and strategies. The intrusion of women into the political arena was ridiculed in the press. This activity flew in the face of prevailing attitudes about the role of women in society, attitudes summed up by the influential socialist theorist Pierre-Joseph Proudhon in the notion of separate spheres: “Woman has her home, man his public life.” A woman who abandoned her “natural” role as housewife and mother was looked upon with suspicion and contempt. Proudhon expressed the dichotomous view of women’s roles this way: “Either housewife or harlot, there is no middle ground.”<
> <
> Daumier portrays this feminist activist with her violent, reaching gesture as hysterical, and her club as turbulent and disorderly. The suggestion, made throughout the press at the time, was that the political aims of the clubbistes were as silly and poorly organized as their boisterous rallies.<
> <
> —Citoyennes ... on fait courir le bruit que le divorce est sur le point de nous être refusé... constituons-nous ici en permanence et déclarons que la patrie est en danger! ...<
> <
> —Women Citizens... there is a rumor spreading that they are about to deny us the divorce law we’ve been seeking... Let us organize ourselves here permanently and declare that the nation is in danger!...<
>
Exhibition History
> <
> Daumier portrays this feminist activist with her violent, reaching gesture as hysterical, and her club as turbulent and disorderly. The suggestion, made throughout the press at the time, was that the political aims of the clubbistes were as silly and poorly organized as their boisterous rallies.<
> <
> —Citoyennes ... on fait courir le bruit que le divorce est sur le point de nous être refusé... constituons-nous ici en permanence et déclarons que la patrie est en danger! ...<
> <
> —Women Citizens... there is a rumor spreading that they are about to deny us the divorce law we’ve been seeking... Let us organize ourselves here permanently and declare that the nation is in danger!...<
>
Satire and Sympathy: Daumier’s Human Comedy
- Allen Memorial Art Museum, Oberlin, OH (February 6, 1980 - March 9, 1980 )
The Human Comedy: Chronicles of 19th Century France
- Allen Memorial Art Museum, Oberlin, OH (September 6, 2013 - December 22, 2013 )
Women Bound and Unbound
- Allen Memorial Art Museum, Oberlin, OH (February 5, 2019 - May 26, 2019 )
Wit and Wisdom: Political and Social Satire in the Prints of Hogarth, Goya, and Daumier
- Allen Memorial Art Museum, Oberlin, OH (July 27, 2022 - December 23, 2022 )
Collections
- European
This record was created from historic documentation and may not have been reviewed by a curator. Noticed a mistake? Have some extra information about this object?
Please contact us.
19th century
19th century