Priest Kisen: a Courtesan Holding a Pair of Painted Shells, from the series Parodies of Six Immortal Poets in Modern Dress
Artist/Maker
Chōbunsai Eishi 鳥文斎栄之
(Japanese, 1756–1829)
Publisher
Nishimuraya Yohachi 西村屋与八
Date1790s
MediumColor woodblock print (nishiki-e); ink and color on paper
DimensionsVertical ōban; overall: 15 1/4 × 10 3/16 in. (38.7 × 25.9 cm)
Credit LineMary A. Ainsworth Bequest
PortfolioParodies of Six Immortal Poets in Modern Dress
Object number1950.449
Status
Not on viewThis series presented six images of contemporary courtesans paired with allusions to the Six Immortal Poets (Rokkasen 六歌仙), a group of widely admired 9th-century Japanese poets. In the Edo period many people knew these poets was through a card game, uta-garuta 歌ガルタ, which was played by matching the first part of a famous poem with its conclusion. Here the poet is Kisen Hōshi 喜撰法師, who is represented in the upper left corner in his card-game form.
The allusions become denser below. The courtesan holds a shell from the shell-matching game (kai awase 貝合わせ), which is painted with a scene from the 11th-century novel The Tale of Genji. The poem in the card above refers to the site of Uji; the painted scene is from a part of the novel that takes place in Uji.
Exhibition History
The allusions become denser below. The courtesan holds a shell from the shell-matching game (kai awase 貝合わせ), which is painted with a scene from the 11th-century novel The Tale of Genji. The poem in the card above refers to the site of Uji; the painted scene is from a part of the novel that takes place in Uji.
Ukiyo-e Prints from the Mary Ainsworth Collection
- Chiba City Museum of Art, Chiba, Japan (April 13, 2019 - May 25, 2019 )
- Shizuoka City Museum of Art, Shizuoka, Japan (June 8, 2019 - July 28, 2019 )
- Osaka City Museum of Fine Arts, Osaka, Japan (August 10, 2019 - September 29, 2019 )
Ukiyo-e Prints from the Mary Ainsworth Collection
- Allen Memorial Art Museum, Oberlin, OH (January 14, 2020 - December 6, 2020 )
Collections
- Asian
This record was created from historic documentation and may not have been reviewed by a curator. Noticed a mistake? Have some extra information about this object?
Please contact us.
1704–16