A Soldier in the Army of Meng Changrun Tricks the Guards at Kankokukan into Opening Their Gates by Imitating a Cock-crow; Illustration to a Remark by the Japanese Poetess Sei Shonagon, from the series A True Mirror of the Imagery of Chinese and Japanese Poets
Artist/Maker
Katsushika Hokusai 葛飾北斎
(Japanese, 1760–1849)
Publisher
Moriya Jihei 森屋治兵衛
Date1833–34
MediumColor woodblock print (nishiki-e); ink and color on paper
DimensionsVertical nagaōban; overall: 20 1/2 × 8 11/16 in. (52 × 22.1 cm)
Credit LineMary A. Ainsworth Bequest
PortfolioA True Mirror of the Imagery of Chinese and Japanese Poets (Shika shashinkyo)
Object number1950.743
Status
Not on viewThe scene illustrates a famous Chinese legend. Pursued by the Qin army, Lord Mèngcháng and his men were stopped at the Hangu Pass until the roosters crowed, signaling morning. The lord’s aide, Féng, was a skilled mimic. His rooster crow prompted the real roosters to crow; the guards let them pass, and they escaped. The poet referenced in the title cartouche, however, is Sei Shōnagon 清少納言 (ca. 966–1017 or 1025), a Heian period aristocrat, lady-in-waiting to the empress, bon vivant, and author of The Pillow Book. Her poem reads:
The rooster’s crowing
In the middle of the night
Deceived the hearers;
But at Osaka’s gateway
The guards are never fooled.
Exhibition History
The rooster’s crowing
In the middle of the night
Deceived the hearers;
But at Osaka’s gateway
The guards are never fooled.
Ukiyo-e Prints from the Mary Ainsworth Collection
- Chiba City Museum of Art, Chiba, Japan (April 13, 2019 - May 25, 2019 )
- Shizuoka City Museum of Art, Shizuoka, Japan (June 8, 2019 - July 28, 2019 )
- Osaka City Museum of Fine Arts, Osaka, Japan (August 10, 2019 - September 29, 2019 )
Ukiyo-e Prints from the Mary Ainsworth Collection
- Allen Memorial Art Museum, Oberlin, OH (January 14, 2020 - December 6, 2020 )
Collections
- Asian
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late 17th–late 18th century