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The Fall of Nineveh

Artist/Maker (English, 1789–1854)
Date1829–30
MediumHand-colored mezzotint
DimensionsImage: 21 1/16 × 31 15/16 in. (53.5 × 81.1 cm)
Sheet: 25 1/16 × 34 9/16 in. (63.7 × 87.8 cm)
Credit LineFriends of Art Endowment Fund
Object number1974.59
Status
Not on view
More Information
This works depicts Martin’s tumultuous imaginings of Old Testament biblical scenes of catastrophe, a popular theme for the 19th-century Romantic movement. Martin was particularly interested in illustrating the origins of the world through acts of human vengeance and divine wrath. The drama of these scenes is enhanced by their coloration, but it is not known whether Martin applied the color himself.

The Fall of Ninevah illustrates the overthrow of King Sardanapalus’s city. Rather than become captive to his mutinous generals, Sardanapalus chose to order himself burned with all of his possessions, including his harem.
Exhibition History
Altered Images
  • Allen Memorial Art Museum, Oberlin, OH (February 21, 1984 - March 25, 1984 )
Darkness Visible: The Prints of John Martin
  • Sterling and Francine Clark Art Institute, Williamstown, MA (September 26, 1986 - November 30, 1986 )
  • Spencer Museum of Art, Lawrence, KS (January 18, 1987 - March 7, 1987 )
  • Allen Memorial Art Museum, Oberlin, OH (April 5, 1987 - May 30, 1987 )
The Romantic Project in Europe: 1790-1850
  • Allen Memorial Art Museum, Oberlin, OH (April 17, 1998 - May 31, 1998 )
Surveying the Ruin: The Architectural Landscape on Paper
  • Allen Memorial Art Museum, Oberlin, OH (March 1, 2005 - August 21, 2005 )
Between Fact and Fantasy: The Artistic Imagination in Print
  • Allen Memorial Art Museum, Oberlin, OH (January 17, 2014 - June 22, 2014 )
The World Turned Upside Down: Apocalyptic Imagery in England, 1750-1850
  • Patrick and Beatrice Haggerty Museum of Art, Marquette University, Milwaukee, WI (October 6, 2017 - January 14, 2018 )
Collections
  • European