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Egúngún (Masquerade Dance Costume)

Datemid-20th century
place madeOuidah, Republic of Benin, Africa
MediumMixed media: fabrics, cowrie shells, sequins, bronze elephant figurine, bells, fringe
DimensionsOverall: 77 × 30 in. (195.6 × 76.2 cm)
Credit LineOberlin Friends of Art Fund and Gift of Eric Robertson in memory of Sylvia Williams (OC 1957)
Object number2000.13
Status
Not on view
More Information
At Yorùbá celebrations and funerals, departed ancestors visit their descendants in the guise of extravagant and eye-catching masquerades called egúngún. A visual homage to the wealth and status of an ancestor, this egúngún displays an intricate patchwork of patterns, braids, sequins, tassels, and amulets of expensive and prestigious textiles. All these elements were carefully chosen and consecrated by the ancestor’s living descendants, as well as priests, tailors, and herbalists.

When an ancestor’s spirit arrives in the masquerade, it twirls through an assembled crowd. The egúngún’s lappets fly out, revealing the many layers underneath. The innermost layer, resembling an indigo and white striped cloth used as a funerary wrap, metaphorically binds together the living and the ancestors. In this way, egúngún also serves as a point of spiritual communication: responding to choices made by the living, the egúngún may educate, protect, warn, or chastise those in its presence.
Exhibition History
A Matter of Taste: The African Collection at the Allen Memorial Art Museum
  • Allen Memorial Art Museum, Oberlin, OH (January 2, 2002 - June 2, 2002 )
Form and Function in West African Art: The African Collection at the Allen Memorial Art Museum
  • Allen Memorial Art Museum, Oberlin, OH (June 6, 2003 - December 21, 2003 )
Collections
  • African & Oceanic
This record was created from historic documentation and may not have been reviewed by a curator. Noticed a mistake? Have some extra information about this object? Please contact us.