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Phyllis and Aristotle

Artist/Maker (German, active 1500–1503)
Dateca. 1503
MediumEngraving
DimensionsOverall: 6 11/16 × 5 1/16 in. (17 × 12.9 cm)
Credit LineGift of the Max Kade Foundation
Object number1968.125
Status
Not on view
More Information
Phyllis, whip in hand, mounts philosopher Aristotle like a horse. His eyes and compromising position connote his lustfulness and complete submission to Phyllis. She physically overpowers Aristotle, who is partially hidden by her voluminous skirts that cascade over his body and envelop him, insinuating her sexual dominance.

At the time this print was made, the story of Phyllis and Aristotle was framed as a cautionary tale for men of the dangers of powerful, and assumed to be scheming, women. In the story, an emperor becomes infatuated with Phyllis. When Aristotle forces him to abandon his love for the sake of the empire, Phyllis seeks revenge on Aristotle by using her charm and beauty to attract him. Aristotle falls under her power, surrendering to her by adopting a submissive position through manipulation and transformation.

This image of Phyllis and Aristotle illustrates the perceived threat posed by a dominatrix: the ability to make men look a fool, thus upending gender hierarchies.
Exhibition History
Daughters of Eve: Representations of Women in German Renaissance Prints
  • Allen Memorial Art Museum, Oberlin, OH (February 9, 1993 - March 28, 1993 )
German Renaissance Prints 1470-1550
  • Allen Memorial Art Museum, Oberlin, OH (August 27, 1999 - January 30, 2000 )
What's in a Spell? Love Magic, Healing, and Punishment in the Early Modern Hispanic World
  • Allen Memorial Art Museum, Oberlin, OH (August 19, 2023 - December 12, 2023 )
Collections
  • European