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Image Not Available for 22. "Pawnees"; 21. [blank page]; 3. [blank page]; 4. "At the Sand Creek Massacre."
22. "Pawnees"; 21. [blank page]; 3. [blank page]; 4. "At the Sand Creek Massacre."
Image Not Available for 22. "Pawnees"; 21. [blank page]; 3. [blank page]; 4. "At the Sand Creek Massacre."

22. "Pawnees"; 21. [blank page]; 3. [blank page]; 4. "At the Sand Creek Massacre."

Artist/Maker (Southern Cheyenne, 1849–1927)
Date1874–75
MediumPen, ink, and watercolor on ledger paper
DimensionsOverall: 7 7/8 × 12 3/8 in. (20 × 31.5 cm)
Credit LineGift of Mrs. Jacob D. Cox
Object number1904.1180.5
Status
Not on view
More Information
The nineteenth-century Plains Indian artist Howling Wolf documented the life of his Southern Cheyenne people through colorful and detailed drawings. A total of fifty seven powerful images, all probably made between 1874 and 1875, comprise the gift the AMAM received in 1904. Because they were made on lined ledger paper used by accountants, drawings of this type are called ledger drawings. Howling Wolf drew a variety of historic scenes that often occurred as long as ten years or more before their depiction, and the drawings in the ledger are not in chronological order. The history, meaning, and importance of Oberlin's ledger drawings have been fully described by scholar Joyce M. Szabo.

Among the individuals shown in these drawings are Howling Wolf himself; his father, Eagle Head, a Southern Cheyenne Council chief and respected warrior; and Sitting Bull, the prominent Sioux leader and medicine man. The drawings' attribution to Howling Wolf is made both on stylistic grounds-in particular the characteristic rendering of horses, a tendency toward foreshortening, and the vividly colorful immediacy of execution, all of which appear in known works by the artist-and because of the inclusion of his name sign: a wolf with lines extending from its open mouth, suggesting sound.

At the Sand Creek Massacre records an 1864 event in which a Colorado volunteer militia attacked a village of Southern Cheyenne and Arapaho people while they were sleeping. The soldiers are drawn along the left edge of the paper, lined up vertically and firing their weapons as the Cheyenne ride furiously toward them across the center of the sheet. Howling Wolf was a young warrior at the time, and his name sign appears at the top of the page.

Howling Wolf's drawings of the Southern Cheyenne people's attempt to preserve their land and way of life comprise a fascinating visual record. They illustrate Howling Wolf's retrospective interpretation of his life before his exile to Florida. While he and the other warriors were imprisoned, their families at home were forced to live on reservations. After his release in April 1878, he returned to a very different-and dispiriting-life on the reservation, and he apparently made almost no further drawings. Following his father's death in 1881, Howling Wolf became a strong advocate and spokesman for the rights of the Cheyenne. He died in an automobile accident in 1927.

Howling Wolf's ledger drawings were given to Oberlin College in 1904 by Helen Finney Cox (OC 1846), daughter of Oberlin College's second president, Charles Grandison Finney. The drawings had come to her through her son-in-law, whose father, John Pope, was commander of the Department of the Missouri from 1866 through 1883. General Pope, whose headquarters was at Fort Leavenworth, may have acquired the ledger drawings when Howling Wolf and the other prisoners from the Southern Plains wars passed through during their enforced journey to Fort Marion in 1875.
Exhibition History
American Indian Art of the Plains and Southwest
  • Allen Memorial Art Museum, Oberlin, OH (April 11, 1978 - April 30, 1978 )
Howling Wolf: An Autobiography of a Plains Warrior-Artist
  • Allen Memorial Art Museum, Oberlin, OH (October 2, 1992 - December 6, 1992 )
  • University of New Mexico Art Museum, Albuquerque (January 16, 1993 - March 13, 1993 )
Art and Life in Early America
  • Allen Memorial Art Museum, Oberlin, OH (September 2, 2014 - June 28, 2015 )
Objects of Encounter: American Myths of Place
  • Allen Memorial Art Museum, Oberlin, OH (July 5, 2022 - December 23, 2022 )
Collections
  • Americas
This record was created from historic documentation and may not have been reviewed by a curator. Noticed a mistake? Have some extra information about this object? Please contact us.